{"id":258985,"date":"2021-05-01T08:00:00","date_gmt":"2021-05-01T12:00:00","guid":{"rendered":"https:\/\/nvacc.org\/home\/?p=258985"},"modified":"2024-09-15T21:35:43","modified_gmt":"2024-09-16T01:35:43","slug":"11th-annual-joseph-miller-abstract-photography-exhibit","status":"publish","type":"post","link":"https:\/\/nvacc.org\/home\/11th-annual-joseph-miller-abstract-photography-exhibit\/","title":{"rendered":"11th Annual Joseph Miller Abstract Photography Exhibit"},"content":{"rendered":"\n

Welcome to the 11th Annual Joseph Miller Abstract Photography Exhibit. For this exhibit we received 441 entries mostly from camera club members in states across America. I juried 130 images into this exhibit.   Over the years for ALL the 11 annual exhibits we have received about 4,000 entries, and I juried in about 1,000.<\/p>\n\n\n\n

For the first 9 exhibits (which were before the pandemic) we hung and displayed the juried-in, matted and framed images in my Center For The Photographic Arts. I have space to hang only 120-125 matted and framed images because I have a large collection of signed Freeman Patterson prints which will never come down.<\/p>\n\n\n\n

Given the interest of these abstract photography exhibits nationwide and sometimes internationally, it is surprising to me how badly abstracts fare in camera club competitions. Rarely do judges give ribbons to abstracts. I personally consider  abstracts to be modern art \u2014 some good modern art, and, of course, some not good modern art. I consider abstracts to be the poetry of photography. And, yes, I admit to being biased.<\/p>\n\n\n\n

I feel that camera club judges spend much too much time on the technical aspects of an image (rule of thirds, catchlight in the eyes, etc.) and not enough time on the artistic qualities of the image.<\/p>\n\n\n\n

Abstracts can be FOUND or CREATED. FOUND abstracts often require careful looking \/ seeing \/ which may take time. As a result, impatient photographers rely on post processing computer software programs to later produce an abstract image. No doubt that has been the case in some of the images entered in each of the 11th abstract exhibits. But for EVERY ONE  of the 11 exhibits, we have insisted that ALL images entered MUST HAVE ORIGINATED in the camera so that photography is involved in every image.<\/p>\n\n\n\n

Given the remarkable sophistication of digital,  it is sometimes difficult to tell if an Image started in the camera, so we rely on the honesty of the maker. It is a pretty dishonest person who would lie about something like this. Also, we have placed no time limit when the entries had to be first taken in the camera.<\/p>\n\n\n\n

It should be acknowledged that all these 11 abstract exhibits are misnamed. They should be named THE MATT AND AMIE ANNUAL ABSTRACT PHOTOGRAPHY EXHIBIT. Matt Schmidt and Amie Tannenbaum along with me have been major partners since the very beginnings. All I did was choose the images I liked best. How difficult is that? Matt and Amie did the rest.<\/p>\n\n\n\n

I am almost 89 years old and when I am gone I hope Matt and Amie will continue these annual abstract exhibits which the three of us started 11 years ago. Both are excellent abstract photographers and are extremely capable camera club judges, indeed, among the very best in the area. Future annual abstract photography exhibits will be well served.<\/p>\n\n\n\n

\n\n\n\n

2021 People’s Choice Award<\/h2>\n\n\n\n
\"Tangerine
Tangerine Dream by Kathleen M Furey \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n

Congratulations go to Kathleen Furey for Tangerine Dream, our 2021 People\u2019s Choice Award winner.<\/p>\n\n\n\n

Special Merit Awards<\/h2>\n\n\n\n

Thirteen images from this year’s exhibit received Special Merit awards from Joe. <\/p>\n\n\n\n

    \n
  • Anne Silberman Golfer – Faces<\/li>\n\n\n\n
  • Daniel Joseph Feighery – Reality Analogy<\/li>\n\n\n\n
  • Debra L. Rockefeller – Twilight Zone<\/li>\n\n\n\n
  • Douglas Wolters – Melted Rose<\/li>\n\n\n\n
  • Elizabeth Ann Koller – Flying Geese Quilt Block<\/li>\n\n\n\n
  • Howard Kaplan – Spirals<\/li>\n\n\n\n
  • Jeanne Mitcho -Connecting<\/li>\n\n\n\n
  • Lori Ann Saunders – Racing<\/li>\n\n\n\n
  • Mary Ann Setton – Narrow Point of View<\/li>\n\n\n\n
  • Mike Whalen – Ghost Rider<\/li>\n\n\n\n
  • Noreen Ajaz – Pep Boise<\/li>\n\n\n\n
  • Patricia A. Hansen – Insectiva<\/li>\n\n\n\n
  • Tuan Pham – Flow<\/li>\n<\/ul>\n\n\n\n
    \n\n\n\n
    \n
    \"On
    On Edge by Amie Tannenbaum \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Stars
    Stars by Amie Tannenbaum \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Chimera
    Chimera by Andrew Ilachinski \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Bubbles
    Bubbles by Andrew C Savino \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Mask
    Mask Redux by Anne F McGrath \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Faces
    Faces by Anne Silberman Golfer \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Spots
    Spots Galore by Anne Silberman Golfer \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Isolated
    Isolated in Alaska by Barbara J Johnson \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"The
    The Soft Bang Theory by Barbara J Johnson \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Bubbles
    Bubbles 2 by Beth L Altman \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Not
    Not a Donut by Beth L Altman \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Color
    Color Wave by Bill Mugg \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Abstract
    Abstract Number 1 by Bob Friedman \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Eye
    Eye of the Tiger by Brenda R Gollaher \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Warrior-Boy
    Warrior-Boy by Carla Kutzlo \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Partitions
    Partitions by Carol W Carroll \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Assembly
    Assembly Line by Cecelia M Laurendeau \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Zapped
    Zapped by Cecelia M Laurendeau \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Oriental
    Oriental Infinity by Charles Frank Almarez \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Blade
    Blade Rotation by Daniel Joseph Feighery \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Reality
    Reality Analogy by Daniel Joseph Feighery \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Form
    Form 1 by David Terao \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Flow
    Flow Study, Red by David A Blass \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Zebra
    Zebra at Mardi Gras by David A Blass \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Rings
    Rings of Saturn by David R Kepley \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"The
    The Maitre De by David R Kepley \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"The
    The Red Ball by David R Kepley \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Sunshine
    Sunshine by Debra L Rockefeller \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Twilight
    Twilight Zone by Debra L Rockefeller \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Melted
    Melted Rose by Douglas Wolters \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Steelscape
    Steelscape by Douglas Wolters \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Time
    Time Warp by Douglas Wolters \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Inside
    Inside or Outside by Edward D Marion \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Diner
    Diner Eyes by Elizabeth Ann Koller \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Flying
    Flying Geese Quilt Block by Elizabeth Ann Koller \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"It
    It Is Alive by Elizabeth Ann Koller \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Kaleidoscope
    Kaleidoscope by Elizabeth Ann Koller \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Outler
    Outler Limits by Elizabeth Ann Koller \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Twilight
    Twilight Zone by Elizabeth Ann Koller \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Blue
    Blue Flag Abstract by Ellis Rosenberg \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Orbit
    Orbit Abstract by Ellis Rosenberg \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Chromatic
    Chromatic Crosshatch by Gayle E Dennis \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Race
    Race to the Finish by Georgette Grossman \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"REDUX
    REDUX by Howard Kaplan \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Spirals
    Spirals by Howard Kaplan \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Peekaboo
    Peekaboo by Janet Sifers \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Connecting
    Connecting by Jeanne Mitcho \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Mixed
    Mixed Interpretation by Jeanne Mitcho \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Night
    Night Vision by Jeanne Mitcho \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Tower
    Tower of Bubble by Jeanne Mitcho \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Twisted
    Twisted Reality by Jeanne Mitcho \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Sycamore
    Sycamore Spin by Jill Randell \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"DendriformEddy
    DendriformEddy by Joe Bucherer \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Inner
    Inner Harbor Reflection by Joe Willmore \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Dots
    Dots by John B Padbury \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Into
    Into the Deep by John B Padbury \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"RGB
    RGB by John A Moore \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Curtains
    Curtains by Karen Joanne Hudnall \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Color
    Color Fugue by Katherine S. Woodward \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Gaze
    Gaze by Katherine S. Woodward \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Tangerine
    Tangerine Dream by Kathleen M Furey \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Primary
    Primary Colors 1 by Kathryn J Mohrman \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Primary
    Primary Colors 3 by Kathryn J Mohrman \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Into
    Into The Darkness by Keith Belzner \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Energized
    Energized Thought IV by Ken Holden \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"114
    114 Feet Inside Xmas Tree by Kieu-Hanh Vu \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Flamingo
    Flamingo Dance by Kieu-Hanh Vu \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Inner
    Inner Vision by Larr Kelly \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Organic
    Organic Crystal Glow by Larr Kelly \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Unblinking
    Unblinking by Larr Kelly \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Excited
    Excited Lights by Leonard Allan Johnson \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Sea
    Sea Nettles Rising by Lesley Anne Emerson \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Racing
    Racing by Lori Ann Saunders \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Spinning
    Spinning Smoke by Lori Ann Saunders \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Spinning
    Spinning World by Lori Ann Saunders \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Infinity
    Infinity Window by Mandy Saunders \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Water
    Water Wheel V by Mandy Saunders \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Inspiration
    Inspiration by Margaret A Maione \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Poppy
    Poppy Bird by Margaret A Maione \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Excuse
    Excuse Me by Mary Ann Setton \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Narrow
    Narrow Point of View by Mary Ann Setton \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Periwinkle
    Periwinkle Invasion by Matthew G. Schmidt \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Pink
    Pink Archipelago by Matthew G. Schmidt \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Rectangle
    Rectangle Tunnel by Matthew G. Schmidt \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Romulan
    Romulan Warbird Reflection by Matthew G. Schmidt \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Stitched
    Stitched light by Michael Thomas Kuchinsky \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Alien
    Alien Landing by Mike Whalen \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Color
    Color Blind Twirl by Mike Whalen \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Fire
    Fire by Mike Whalen \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Ghost
    Ghost Rider by Mike Whalen \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Golden
    Golden Sway by Nancy K Kurokawa \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"spinning
    spinning wheel by Nicholas Nardi \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Pep
    Pep Boise by Noreen Ajaz \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Upcycled
    Upcycled Xmas by Noreen Ajaz \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Insectiva
    Insectiva by Patricia A Hansen \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Mardi
    Mardi Gras by Patricia A Hansen \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"The
    The Fence by Patricia A Hansen \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Heartfelt
    Heartfelt by Penny A Parrish \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Moscow
    Moscow by Penny A Parrish \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Sequestered
    Sequestered by Penny A Parrish \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Maelstrom
    Maelstrom by Richard E Hudnall \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Merging
    Merging by Richard E Hudnall \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Visual
    Visual Sound by Richard E Hudnall \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Yin-Yang
    Yin-Yang by Rick Seaman \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Awning
    Awning in the Rain by Robin S Weisz \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Blue
    Blue Slice by Robin S Weisz \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Creation
    Creation of Color by Sabine Dickens \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Freaky
    Freaky Monster by Sabine Dickens \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Smoky
    Smoky Dancer by Sabine Dickens \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"ColorQ
    ColorQ by Sarah J Skerker \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Meanie
    Meanie by Sharon Eisenzopf \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Purple
    Purple Swirl by Sharon Eisenzopf \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Full
    Full Blue by Thomas Hayes Brett \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Rainbow
    Rainbow Splash by Thomas Hayes Brett \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"White
    White Links by Thomas Hayes Brett \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Transitions
    Transitions by Thomas Simpson \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Artless
    Artless Art by Tuan Pham \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Flow
    Flow by Tuan Pham \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Curvatures
    Curvatures by Wendy R. Kates \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Paper
    Paper Cuts by Wendy R. Kates \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Red,
    Red, White and Blue by Wendy R. Kates \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"The
    The Birth Of Color by Wendy R. Kates \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Thunderbird
    Thunderbird by Edward D Marion \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Abstract
    Abstract Swoops by Judy A Guenther \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Embroli
    Embroli by Edward D Marion \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Just
    Just Like Silk by Robin S Weisz \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Melody
    Melody In Motion by Sandy Gherardi \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Return
    Return to the Mothership by Roy Sewall \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Tunnel
    Tunnel Vortex by Judy A Guenther \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n\n\n\n
    \"Road
    Road to Nowhere by Beth L Altman \u00a9 2021, All Rights Reserved<\/figcaption><\/figure>\n<\/figure>\n","protected":false},"excerpt":{"rendered":"

    Welcome to the 11th Annual Joseph Miller Abstract Photography Exhibit. For this exhibit we received 441 entries mostly from camera club members in states across America. I juried 130 images into this exhibit.   Over the years for ALL the 11 annual exhibits we have received about 4,000 entries, and I juried in about 1,000. […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[18],"tags":[],"class_list":["post-258985","post","type-post","status-publish","format-standard","hentry","category-gallery"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p3wm2g-15nb","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/nvacc.org\/home\/wp-json\/wp\/v2\/posts\/258985","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nvacc.org\/home\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nvacc.org\/home\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nvacc.org\/home\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/nvacc.org\/home\/wp-json\/wp\/v2\/comments?post=258985"}],"version-history":[{"count":5,"href":"https:\/\/nvacc.org\/home\/wp-json\/wp\/v2\/posts\/258985\/revisions"}],"predecessor-version":[{"id":261205,"href":"https:\/\/nvacc.org\/home\/wp-json\/wp\/v2\/posts\/258985\/revisions\/261205"}],"wp:attachment":[{"href":"https:\/\/nvacc.org\/home\/wp-json\/wp\/v2\/media?parent=258985"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nvacc.org\/home\/wp-json\/wp\/v2\/categories?post=258985"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nvacc.org\/home\/wp-json\/wp\/v2\/tags?post=258985"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}